I have raved about this singer-songwriter before and will no doubt do so again. Tom Cole recently played to a mostly disinterested bunch of revellers and eaters in The King’s Head pub in Battle in East Sussex. You had to strain a bit to hear Tom, who sings confidently but was only accompanied by himself on acoustic guitar. But if you got up close (by propping up the bar nearest to him, as we did), there were thrills aplenty.
The first part of his two-set show had some intended crowd-pleasers: ‘Cecilia’ (Simon and Garfunkel) for example, and more surprisingly, the excellent ‘Piano Man’ by Billy Joel. Tom’s performance of the Joel song was doubly ironic as it's about the kind of gig that Tom would have been playing if the punters were more interested (or drunk enough), while the song’s knowing take on what it’s like to be the man behind the mic applies whether people are ‘in the mood for a melody’ or not.
Mr Cole is a deft purveyor of Americana but without the preciousness that some performers of the 'genre' give out (especially when they’re from the UK-side of the pond). He includes pre-'Americana' Americana in his repertoire, on this occasion including a nice take on ‘Early Morning Rain’ by the God-like genius that is Gordon Lightfoot (a Canadian). Tom went on to splice a Dylan number with one of his own songs. I cannot read the notes I scrawled the morning after, but I think the Dylan song was ‘Tomorrow is a Long Time’. Regardless, Tom’s part blended well with His Bobness.
To cover a song by the tortured Jackson C Frank - ‘Blues Runs The Game’ - emphasises Tom’s confidence and musical maturity. ‘Ramblin’ Man’ is the title track of Tom's EP of self-penned songs (on sale via his website www.tomcolemusic.co.uk). This was my first hearing and it came across well. However, like all of the EP versions, it benefits from a deft fiddle accompaniment.
He did a stellar cover of a Townes Van Zandt song whose title I cannot remember either. (Suggestions on a postcard please). My friend and me were impressed enough that Tom would cover an artist whose songs deal in pain without having to shout about his suffering. The fact that Tom did one so well was a wonderful bonus.
He did a stellar cover of a Townes Van Zandt song whose title I cannot remember either. (Suggestions on a postcard please). My friend and me were impressed enough that Tom would cover an artist whose songs deal in pain without having to shout about his suffering. The fact that Tom did one so well was a wonderful bonus.
One of the best things I have ever heard Tom do is ‘In My Time of Dyin’’, which he performs closer to its original Gospel-style than Led Zeppelin shooting their bolt all over it. This was the undoubted highlight of the night (as it was the first time I saw him play). I don’t know if he’s considered getting the tapes rolling for a live release of this and other numbers, but he certainly should.
‘Will The Circle Be Unbroken’ isn’t perhaps an obvious choice for the beery boys of Battle, but its time-honoured folk protest verities have their place. By this point the ale was kicking in with me too and we (I think) danced a bit to something Tom played before his finale: ‘Oh Lord Won’t You Buy Me a Mercedes Benz’ (co-written, and made famous, by Janis Joplin). This did engage the revellers from the other side of the bar. Or at least one of them. A lady stepped up, grabbed the mic and performed a more than passable interpretation. (I hope she doesn't mind me including this shot (below) of her enjoying the applause).
Way to go Tom Cole. And hats off to The King’s Head in Battle for hosting this talented performer.
